Showing posts with label Raaga - Overview. Show all posts
Showing posts with label Raaga - Overview. Show all posts

Sunday, May 01, 2011

027 :Bhageshri - Kanden Kanden Kanden Seethayai

Is there any Raaga, that can give solace instantly. Create happiness. Trigger the joyous part of the brain. Bhageshri - is the name the Raaga , that can give a pleasant experience..This the Raaga depicts the feeling of woman awaiting the re-union of her lover. It's no surprise, that Shri Arunachala Kavi, used this Raaga, when Shri Hanuman communcates that he has met Mother Janaki.(Shri Seetha Devi) at the end of sundara kanda. It's the must listen for any Carnatic Music Lover.


Aarohanam:

S g m D n S

Avarohanam:

S n D m, P m g R S


Tuesday, September 29, 2009

023 : Simhendra Madhyamam - My Favourite Raaga

Simhendramadhyamam is 57th Melakartha Ragam. It's a "Prathi" Madhyama raaga. It's one of my favourite raaga.

Aa: S R2 G2 M2 P D1 N3 S
Av: S N3 D1 P M2 G2 R2 S


Illayaraja alias music has used this raaga exceptionally well in Paneer Pushpangal. My acquaintance with this raaga came from the Album How to Name it? interestingly i was able to find a youtube version of it.. here it is..

Thursday, September 24, 2009

021 :Music Info - Carnatic : Raaga?

It's like trying to dry the ocean, if some one attempts to create a repository or reference for Music. But the process of collaborative learning is more effective, hence i'm planning..this series. Lets explore the ocean of Music together
What is a Raaga?
A Raaga is a combination of musical notes aka Swaraa(Sa Re Ga Ma Pa Dha Nee). Raaga primarily denotes melody. Ideally there must be at least 5 notes or a maximum of 7 notes (swaras) in a Raaga

"tonal framework for composition and improvisation" -Joep Bor of the Rotterdam Conservatory of Music

Every Raga would have an “Aarohanam” - ascending notes & an “Avrohanam” - descending notes.There are many ragas recognised and played in Carnatic Music and each ragas has its time and season that defines it.

Melakarta or Janya Raagas:
Melakarta is a collection of fundamental Raagas Melakarta ragas are parent ragas (hence known as janaka ragas) from which other ragas may be generated. There are 72 Melakartha Raagas. They are split into 12 groups called chakras, each containing 6 ragas. The ragas within the chakra differ only in the dhaivatham and nishadham notes (D and N), You can find the list of all the 72 Raagas and the chakra's they belong to in the following link http://carnatica.net/sangeet/melachart.htm
(Contd..)
Musical - Gems : Here's a masterpiece Shri Sadasiva Bramendrar in Shyama Raga Manasa Sancharere...

Keerthana: Manasa Sancharare
Author: Sadashiva Brahmendra
Ragam: Shyama
Talam: Aadi
PallaviMaanasa Sanchara re
Brahmani Maanasa Sancharare
Charanam 1
Madasikhi pinchalankruta chikure
Mahaneeya kapola vijitha mukure
Charanam 2
Sri Ramani Kucha Durga Vihare
Sevaka jana mandira mandare
Charanam 3Paramahamsa mukha Chandra chakore
Paripooritha murali ravadhare

Saturday, July 05, 2008

005 : Sindhu Bhairavi - An Overview

Raaga: Sindhu Bhairavi
Janya : nATakapriya
Aarohanam : S R2 G2 M1 G2 P D1 N2 S
Avarohanam: N2 D1 P M1 G2 R1 S N2 S
Sample:
Sindhu Bhairavi (By Flute Bhaskaran..amidst Pyramids)

Description
Sindhu Bhairavi is said to have it’s orgin is from Hindustani, and is a morning Raga according to the North Indian Musical tradition .It is a variant of Raga Bhairavi even though it retains all the mannerisms of the parent Bhairavi however it’s rishaba is augmented to its shuddha rishaba shade. These days Sindhu Bhairavi is sung with both the rishabs and both the dhaivatas.Another way of looking at it is as a Sindhu from southern classical view point is as Variant of Sindhu(People who know about this in deatil can share them) .Other Sindhu Variants are sindu dhanyAsi,sindu gowri,sindu kannaDa,sindu mandAri,sindu rAmakriyA,sindu shuruTTi(Source:www.Karnatik.com). Coming back to Sindhu Bhairavi.It blends a folk and classical musicthat could be appreciated even by a common man without much of information on raaga.There are also very few krities in the parent Naatakapriyaa. It admits of many semi-classical tunes and is often used towards the end of a Carnatic concert.
The following are songs in sindhubhairavi.kannane kandaayo,bhajare,smaram vaaram vaaram,,kalyanagopalam,ninnaye rathi entru,shanmugham bhaje,viswesware darsan kar,bhajabhaja maanasa,raamachandraprabhu,manathirkkukantha,karunai daivame,etc.This is a sankararaaga.used for minor classical songs.acording to dr s.ramanaathan sindhubhairavi was a janya from desyathodi.Naatakapriya is a raaga with the same notes as thodi except a chathusruthy daivatha and sindhubhairavi of ancient yore was sung like that
Trivia

  1. It is interesting that there appear to be absolutely no krities in this raaga (sampurna janya of Naatakapriyaa) by the Trinity.
  2. Sindhubhairavi is sung as a janya of Thodi.Some also say that it is natabhairavijanya.
  3. Swathithirunaal,pattanam subramanyaiyer,thanjavoor sankarayyar,etc have some compositions in it.There is also a thillana to lalgudy jayaraman's credit,and bajare gurudaivam of balamuralikrishna.
  4. There was another sindhubhairavi,of naatakapriyajanya in ancient times which was a madhyaraaga and it is not sung by musicians usually.
  5. Milen Sur Mera Tumhara : (Referenced from Musical Experts) The national integration song was composed in Sindhu Bhairavi . It has same lyrics sung in different Indian Languages in the same raaga variants according to local blend. Composed by Louis Banks. Lyrics by Piyush Pandey
Some Discussions
There are people who say by no means can Sindhu Bhairavi can be considered a janya of Natakapriya. Since Sindhu Bhairavi, takes its roots from Hindustani Bhairavi, can at best be described a janya of mELa 8, similar to its classification in Hindustani under Bhairavi
Non Cinema Songs
  1. Venkatachala nilayam , Vaikunta Pura vasam ;Purandaradasa
  2. rAma rAma Prayaga Ranga Dasa; Aadi tALam
  3. bhaja bhaja mAnasa ; swAti tiruNAL ; Aadhi tALam
  4. kAntamAm kathirkAmam ; Mayuram Viswanatha Sastri ;Eka tALam
  5. Ramachandra PrabhO ; Swathi thirunal
  6. Karunai Deivamey; Madurai Tsrinivasan; Aadi tALam
Cinema Songs
  1. Jeena Yahan Marna Yahan ;Mera Naam Joker; Shankar Jaikishen
  2. Jiyan Jale Jaan Jale ; Dilse; AR Rehman
  3. Poongatru Pudhirandhu ; Moondram Pirai ; Illayaraja
  4. Ennai Yarendru enni enni ; Paalum Pazhamum; Viswanathan Ramamoorthy
  5. Kalyanamalai Kondadum Penney ; Pudhu Pudhu Arthangal; Illayaraja
Anecdotes associated with Raaga
Paapanaasam Sivan had written the lyrics as 'Mugamadhu(mugam+adhu) chandra bimbamO'. MKT was rehearsing the song for the film. Along came the famous comedian N.S.Krishnan. As soon as MKT had sung the first line, 'mugamadhu chandra bimbamO', he followed up immediately with, 'Esu enna bimbamO?':-) This made Paapanaasam Sivan to change the first line into, 'vadhanamE chandra bimbamO' (Referenced from Sindhu Bhairavi Analysis Discussion)